I further understand that this is a team effort, and that the team undoubtedly includes studio suits who, in Tina Fey’s soon-to-be immortal formulation, believe that “the definition of ‘crazy’ in show business is a woman who keeps talking even after no one wants to fuck her anymore.” I blame the frame more than I blame any of the individual people holding it up. But then if the problem is really the Apatowian-industrial-complex, and its control over architecture of this whole film, well: maybe it’s time to come to terms with the fact that this kind of movie can’t be quasi-feminist, or perhaps more aptly, even a victory for women qua “women.”

‘Bridesmaids’: Am I Doing Being A Woman Wrong? | The Awl

AND NOW I’M GOING TO HIDE FROM THE WHOLE INTERNET.

Don’t hide, Michelle! This was spot on.